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The IDV is the moral question

In many, many quarters, ask us to adopt a position to comment on the events of recent months in Italy of Values. Asks us the base of this party, extraordinarily active and without awe. We are asking our voters, even those who are not of this party. It asks us, first of all, our consciousness. E 'to them and talk about it today.
We wanted to exploit the wave of the latest controversy to have our say, not to give his side a logic that would damage the Italy of Values. We passed by the full square around all'Idv. But now we have some considerations for a must. It is necessary from a premise: nell'Idv today there is a thorny and pressing "moral issue" that must be addressed urgently, before it overwhelms the party and all its representatives and represented. Without showdowns and no public feuds, we believe that now as never before President Antonio Di Pietro should react strongly and firmly to drift towards which this party is going to blame a few. The latest
shame, as otherwise call the case Rockets / Scilipoti, two individuals who have sold at least morally, by virtue of other interests than the policy and the public good, are just the tip of an iceberg that slowly emerges into reality of this party. How can we forget the scandalous case Porfidia, prosecuted for acts of the Camorra and still defended by some member of IDV that speaks of sacrifice because of "private facts". And then the smoky Pino Arlacchi, who after being elected with IDV and only thanks all'Idv, greeted everyone with a poor excuse and returned with lowered ears to the Democratic Party. But who brought these characters in this party?
So today, with this shared document, boosting the need for a sharp turn, and we ask the president to remain indifferent to Di Pietro seasickness that this will result in people, a change, I do not want. In those who hope that the IDV back a party of 4% for future administer as it sees fit. Guaranteed seats, nominations secure, zero complaints. Folks, this, that no longer has any contact with the base and remains locked up in the halls of power, aware that without the electoral law would never come into Parliament and that this would change if we ever would return.
We have a wealth from which to depart, and that is "based" thinking and operational, that is not afraid to defend their leader is a sword of stone but not to address him directly to ask for justice and legality within the party " local. " They demand a firm "no" drift of the lords of the cards, the deserters, who now boast the unpresentable to belong to this party and are based, with surgical precision, a political virginity. After many regional conferences are actually even addressed to the prosecuting authorities to seek justice, presenting video and documentary evidence showing gross irregularities in the consultations among members.
Today is a moral issue and it is useless and detrimental to deny it. We can not remain silent. Most of the "leadership" will tell you that with these words brings harm to our party, other damaging President Di Pietro, and others that are part of a subversive plan who wishes to make IDV. We believe that this is a rather extreme act of love for all members, militants and sympathizers of Italy of Values. The President ask only one thing: they do help to clean up. Let us work to make this party what he has designed and built and now someone wants to take away from his hands.
conclude this paper with the words of a great Italian politician, who unfortunately no longer with us. Enrico Berlinguer.
"Moral issues do not end with the fact that, there being thieves, corrupt, extortioner in the upper echelons of politics and administration, we must find them, you must report them and put them in jail. The moral question, in Italy today, is one with the employment of the State of the parties and their current government, is one with the gang war, is one with the concept of politics and government of these methods, which are simply abandoned and outdated.

Luigi de Magistris, Sonia Alfano, Giulio Cavalli

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Tron - Legacy

Year: 2010
Director: Joseph Kosinski

Distribution: Walt Disney's legendary

Ambiguous result " Tron" in 1982, which introduced the idea of \u200b\u200bcinema to virtual reality. This "Legacy" enriches the environment, thanks to 3D, but loses a bit 'in terms of spontaneity and narrative clarity.

Kevin Flynn, now deceased, is the nominal director of Multinational Computer Encom. They spent more than twenty years since Clou, alter ego of Kevin Flynn, has become the absolute master of the virtual world of Tron. Alan, the son of Flynn is convinced that the computer must be shared with the whole world, freely and without charge, so refuses to take the place of his father. But when, through an old machine, is found in Tron's world, it will be forced to face the digital alter ego of the father and change his mind about his future ...

Who saw "Tron" what is striking about this "Tron - Legacy" is that it could be seen as the third episode, and not a result of the 1982 movie directed by Steven Lisberger. In fact, the plot of "Legacy" recounts the events that had not been narrated in the first chapter, where the evil Master Control Program was a huge artificial intelligence. The film directed by Joseph Kosinski then jump forward a bit 'too long, making a plot in itself is not very clear (and let's face it: highly unlikely even for the genre) even more cumbersome. "Tron Legacy" then disappoint fans of the old public in an effort to win new ones. The operation was successful in half, because on one hand the overall look of the film is more engaging, immersive and realistic, perfectly in step with the times, it loses some of the other 'in terms of wonder. Miss that - let's call it - descriptive madness that characterized the first episode, as well as a certain recklessness and irony of the fund. These things are a bit 'difficult to understand if you have not seen the first episode , and so the advice is to retrieve it before you see this new version.

If you do not have time to do so, however, you will enjoy more than two hours of special effects, a convincing 3D, combat, and a finish of great pathos, though undermined by a message (the one on the sharing of the world Tron) not quite clear. Last note on where actors Jeff Bridges, somewhat undecided whether or not to embrace the Zen philosophy (see the movie to understand) back to train a child, Garrett Hedlund, rather impulsive, even from the standpoint of recitative. The best field is Michael Sheen, left unbridled acting makes her a natural battlefield. It beats them all.

Diego Altobelli (12/2010)

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Awake - Anesthesia awareness

Year: 2008
Director: Joby Harold
Distribuzione: Eagle Pictures

The film "Awake," by Joby Harold's directorial debut is a thriller inspired by metaphysics. Clayton is a nice offspring without a father awaiting a new heart. The boy's mother would entrust the task to the family doctor, but Clay insists that Dr. Jack Harper, her intimate friend and confidante, to head the operation.

Everything seems to go according to the scheme, but when the boy is under "the knife" realizes not be fully anesthetized. His body, in fact, continues to feel pain, but without being able to move or summon help. It 's the so-called "anesthesia awareness." To resist the pain of an open-heart surgery Clay takes refuge in his memories, but find there own painful things about his life ...

The assumption is one of those interesting, the execution is mediocre ones. Despite the cast as "good" Terrence Howard, the "crash" Jessica Alba, and the "jedi" Hayden Christensen, the film ends up failing its launch. Committing a foul in the area. Break off the match. Start slow, very slow, with thirty-minute prequel to "prepare the field for a story that in some way (considering the title) already expected. And when the moment of the film, which is the time of the incision in the absence of anesthesia, there is a feeling that this lasts too little. It goes beyond then, hopefully, coming to what should be cracking down of the plot, his turning point, but even there the plot twist is "poorly managed" by a director too hastily, without revealing just give him the breathing narrative.

in favor of what's the rush? Hard to say. The theme of "memory" as a way to go to discover forgotten sins, is no stranger to cinema, but in this case is aware of the actual mechanism by which a man under the knife and an open heart (!), Instead of passing out, continue to remain conscious and to think of the "endorsed".

short, a plot pretext also joins an unlikely dramatic realization, and the film drowns in a sea of \u200b\u200bmessy questions. The assumption, once again, was interesting, but the "shot" went short. Too hasty in concluding that the newcomer Joby Harold makes a film to be seen only in "DVD" on Saturday evening, with rain and no friends to call.

Diego Altobelli (2008)

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Alfie

Year: 2004
Directed by: Charles Shier

Distribution: UIP

-Alfie-Alfred Elkins is a young boy from Manhattan who does the good life working for a small firm Limousine rent. Alfie, torn between his job as driver and his dreams of independence, disarmingly carefree lives with his years of fleeting encounters, clubs, and many beautiful girls that he routinely betrays never feel ready for a long-term history. But one day change the lives of Alfie register: find out where to have a child, the young will have to question his lifestyle and seriously reflect on his mistakes ...

Remake of discrete bill of a film released at the end of the seventies and starred in the original, by a wonderful Michael Caine. The original Alfie divided audiences and critics who judged him strong and disorienting, but fun and innovative. Now, nearly twenty years later, the confused character of Alfred Elkins lives on in the role of Jude Law in what might be called a true test of an actor, where the direction of Charles Shier intended only as a mere outline.

The new film is shot with a prevalence of close-ups and rapid separation that recall the proper photography, pop-art of the last thirty years. Alfie is a long monologue about the insecurities reflective of our times that forces the viewer to assume the role of confidant of the protagonist, to the detriment of his emotional involvement. On the other hand, if the director is academic, the performers are really good at playing characters who seem to come out, ethereal, from a reality that seems assume, with the continuing of the story, symbolic values. Noteworthy music, performed by Mick Jagger and Dave Stewart, who bring to mind the melancholy secret of the seventies. "Alfie" provoke a mixed reaction: some might like it for its originality, others hate him for his irresolution.

Diego Altobelli (2004)

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17 Again - Back in high school

Year: 2009

Director: Burr Steers
Distribution: Warner Bros.

Here's another person who from time to time he reappeared on the big screen. That of an adult child who returns, or vice versa, in other words that for some reason back in time ...

The examples are numerous from "Wonderful Life" Frank Capra's master, until the recent "The Family Man" with Nicholas Cage, or "30 Going on" with Jennifer Garner. Before they had seen "Big" with Tom Hanks, learn from our "grow up" with Renato Pozzetto.

Mike O'Donnell is a forty disillusioned and apathetic who dreams of returning to school. Said than done. An angel pretending to jump off a bridge and Mike, to save, it throws itself into a vortex that makes him go back to having the body of a seventeen. The man now baby, however, must contend with her daughter, courted by a dude, while attempting to fix a life that seems destined segregation in the role of underdog ...

Operetta mild, that of "17 again", all engineered to brush Zac Efron, dry after the success of "High School Musical," and Matthew Perry, now nearly forgotten hero of the TV series "Friends." The result is what you expect without infamy and without praise. Some found it funny, like the young Mike, who must win back the hearts of his future wife that does not seem to recognize it, or the courtship "Barely Legal" that makes a boy against her daughter, but it all boils down to a jump to the basket without markers. The dunk hits, but as we have seen much better games. Nor is the sympathy of the actors save the film bore a subgenus which for years has said it all.

Diego Altobelli (2009)

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Alvin Superstar 2

Year: 2010
Director: Betty Thomas
Distribution: 20th Century Fox

If you loved the story light and very tender " Alvin Superstar", also enjoy this second chapter.

The trio of Chipmunks has now established itself as the world music scene. But without a degree, but three of them are nothing. So, there they were catapulted to high school where they try to save the music program. But among the high school there are Chipette to give battle to the sound of pieces borrowed from the discography Beyoncé and Kate Perry ...

clear that to see a movie like "Alvin and the Chipmunks 2" you have to be in the evening. If you're in the right mood, you wait a couple of hours of fun, sometimes even crazy. Lacks the breath of fresh air that had characterized the first episode, but even so, with the inclusion of Chipette (cute the battle of the sexes that is staged), the way everything goes as smooth as water.

less than human (with a cast of the skeleton), but even more pace. The winner is the music at the end. And leaving the salt makes you smile, the general feeling of having been taken by the nose by Alvin once again.

Diego Altobelli (2010)

Bushnell 111025 Drivers

Year: 2010
Director: John Hillcoat

Based on the novel by Cormac McCarthy won the Pulitzer Prize in 2007, "The Road" directed by John Hillcoat retains its evocative nature and violent.

In an unspecified future the world is adrift. Bands of men and women roam the city looking for empty houses and rob people to eat. In this troubling scenario, a man and his son trying to stay alive, following the road, but also keeping a safe distance from that ...

The size of the text of McCarthy's willingness to tell a story in the twilight categorically rejecting any flagrant act, every heroic act, any development that would bring the narrative story in a literary territory that belongs to the "kind". McCarthy, in short, he told a story of ordinary people, but embedded in a context without hope: the end of the world, in fact. Deliberately not told us anything about what happened to the Earth, and to make the company the reader (and now viewers) but memories of the two characters, their suggestions and their emotions. The strength of "The Road" is that those emotions become the text. The novel. By showing the reader that there is no need for anything else.

The films of John Hillcoat respects fully the text of McCarthy, sometimes even becoming didactic. As I said earlier, retains the evocative nature and violent, dreamlike and shadowy. Talented performers among which the actors Viggo Mortensen, capable of both human expressions to seem impossible, Charlize Theron, whose character in this remake film is slightly deepened, and the child Garret Dillahunt, effective. Compare also an unrecognizable Robert Duvall in the role of an old man, whose interpretation is not easily forgotten.

Diego Altobelli (2009)

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The Road Genesis Code (The Book of Eli)

Year: 2010
Directed by: Albert and Allen Hughes
Distribution: 01 Distribution

arrives in theaters this "act of faith" from the title Genesis Code (much better than the original The Book of Eli), directed by Albert and Allan Hughes that a little 'surprise turns out to be a "western post-atomic ".

Eli wanders alone to the wastelands of America to survive a nuclear catastrophe. On his way the robbers eat other human beings in search of water. But he obstinately continued his journey westward, bringing with him a copy (the last) of the Holy Bible. When Eli reaches a small town, the despot finds out Carnegie's book and wants to possess to subdue humanity ...

The Hughes brothers have cut their teeth in music videos and short films, before coming to the cinema with the biopic The true story of Jack the Ripper starring Johnny Depp and Heather Graham. And to be honest the picture from the video clip is the first thing that catches the eye. The sets and costumes echo the '80s and appear to have come directly from the Wild Boys and We Do not Need Another Hero, respectively, of Duran Duran and Tina Turner. In the screenplay the other hand, the first part in the lone star - a big Denzel Washington - filmography typical "post-atomic" (think the recent " I Am Legend" and "The Road" or the evergreen "Mad Max" ) here is a bit 'too static and noiosetta. The character is idling and the journey to the west looks a little 'illogical (for example at one point Eli meets again the characters seen above: how is it possible, one wonders, if implemented consistently to the west?).

Good interpretations. Denzel Washington takes the film by bringing in a neutral Fist of the North and Malcolm X (no joke), more homogeneous Gary Oldman, whose end is reminiscent of Scarface; convincing female protagonists Mila Kunis (a crash) and Jennifer Beals ( Flashdance). But as I said, biting wait to find the second half of the film, when The book of Eli reveals the true intentions of those wanting to be a western midway between Sam Peckinpah and Sergio Leone (with a musical tribute to Ennio Morricone whistle from one of the robbers in the pay of Carnegie). From that moment on the film, besides being cinematically more interesting (the magnificent shot to the scene of the siege to the house in the desert), also reveals its mystical nature. The message of faith who want to send.

Albert and Allan Hughes signed a parable about hope. The mystery of the faith. Sull'incomprensibile becoming the universal message sent by God and open to all. To explain, the directors use a background (that of the future post-atomic) for a flexible nature any type of situation, and indeed in The Book of Eli is a bit 'of everything. This all things its only limitation is not necessarily a defect. Too laborious. You can bet on: will not be understood by anyone, or almost.

Diego Altobelli (2010)

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Prince of Persia - The Sands of Time

Year: 2010
Director: Mike Newell
Distribution: Warner Bros.

The experience of Mike Newell (director, among others, "4 Weddings and a Funeral "" Donnie Brasco "," Harry Potter and the Goblet of Fire ") is put at the service of a blockbuster fracassone but rewarding. At least on paper. "Prince of Persia - The Sands of Time "uses nothing less than a trend born in 1989 on personal computers. In the video game in question took the robes of a prince swordsman who, in one fell swoop to save the princess and the kingdom, was challenged by a number of pitfalls and a very bad vizier. In the film seems to lack anything to launch a new movie franchise ...

The adopted son of the king of Persia is accused of the death of his father and banished from the kingdom. To prove his innocence and find the real traitor will help a fierce princess, holding a magic dagger. The artifact is able to go back in time, but do not understand how it works be easy ...

Apparently at Disney had wanted to launch another saga of success after the trilogy of "Pirates of the Caribbean". The ingredients are all there, and produce yet another giocattolone for the whole family is still known Jerry Bruckheimer. A good cast that includes Jake Gyllenhaal, Ben Kingsley and Alfred Molina should ensure a job well done ... except that the script is waiting to be rewritten. Prince of Persia is a classic film that already from the start you realize that something is wrong. Confident, we proceed in the vision, but a hasty plot and dialogues with a hatchet cut end to confirm the impression Home. Too bad, because it is obvious productive effort. Newell's film has great special effects and a magical setting of course. Unfortunately, references to Iraq and dialogues too likely for as long as the story unfolds ruin the great work.

Besides the acting of the protagonist does not convince Gyllenhaal: the actor seems to be more concentrated to make plastic poses and winking, that acting. Oscar winner Sir Ben Kingsley is not renewed, offering a character similar to that seen in the fantasy "The Last Legion . On all stands Alfred Molina, who had the credentials to be the real protagonist of the film.

short, Prince of Persia is the film that inspired the video game namesake and tries to capture the essence. Success in half because of weak plot.

Diego Altobelli (05/2010)

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Megamind

Year: 2010

Director: Tom McGrath

Destruction: Universal Pictures

years ago at Metro City fell by another two capsules planet. As fate would have first fell in the garden of a family well, and the second in the penitentiary of the city. The two children contained in the ball, and then as adults, began to develop their incredible ability to become a Metro Man, the embodiment of justice, the other Megamind, an unscrupulous criminal.
today. When in a battle ultimately kills Megamind Metro Man, finds himself suddenly alone and with a city at her feet. And after a period of fun, boredom takes over. Disheartened, Megamind another brilliant idea decides to give super powers to a human, so you can have someone back to face in battle. But to the surprise villain he becomes more human ...

For better or for worse, the spotlight of the film continue to keep a spotlight focused on the theme of superheroes. And so that was born here also "Megamind," a cartoon definitely fun, with peaks of considerable irony and narrative choices mind-boggling, but also quite tiring. Wanting to be brief, one could say that "Megamind" is another fun and hilarious cartoon, suitable for the whole family and then to recommend without hesitation. Unfortunately, it also made a consideration in support of all because the cartoon directed by Tom McGrath, the same as "Madagascar," shows quite clearly the side by a certain weariness of the fund. One wonders if at the end of the projection is right to try them all just to squeeze a theme to the core. Since even poking fun at the theme itself. His imagery, his imagination, his identity as an element of fantasy. Here we imaginary Superman ride beautifully. Metro Man there is a clear embodiment, while Megamind is a possible alter ego of Lex Luthor, but of course most grotesque. Here, the point is that one escapes some 'sense of that operation. Why laugh at a fancy? What we want to prove? What you really want to say again? Maybe nothing, maybe I'm just an old reader questions raised by romantic and a bit 'annoyed. However, it is clear that the Dreamworks animation, unlike that of Pixar, generally lacking a little 'respect in advancing the story. There is a certain arrogance of the fund. And if you laugh at first, then the urge to quit, as if you were laughing at someone or something that can not defend themselves.

Diego Altobelli (12/2010)

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homeless: a reality of Olbia! WINTER 2010/11

Dear Friends of Free Energy, small initiatives to taking place in this period, taking place under its own power and few resources, with the difficulty of not having a van or a camper to make a real Mobile Services Unit, the lack of a home that will allow us greater organization, a store .. in short, an appropriate structure for a Day Centre where, among other activities, it could provide the service, very necessary, shower and wardrobe.

Despite this difficult situation, to Free Energy is a step toward a greater presence among our friends in Olbia who are facing bad weather, staying in "houses of luck." Give them one or two blankets and a smile, listening to their many problems, not a big commitment but the simple fact that he started doing is important, there was a risk to be operational only when it had reached an ideal situation, by appropriate means.

But no! We got in gear and even now that our action has been well accepted by the people we meet and help. Show

these few photos of the homeless in Olbia not want to be a manipulation in any way, but rather a form of awareness of this reality show so close to us.

Ginetto Mattana

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The Tourist

Year: 2010

Director: Florian Henckel von Donnersmarck

Distribution: 01 Distribution

Fiacchissimo this "The Tourist , "directed by Florian Henckel von Donnersmarck seconded. If it were not for the unusual couple Johnny Depp and Angelina Jolie, the film probably would not even have reason to be proposed in the halls. But they can do two giants of their caliber to save the cabin? Surprise, the answer is no.

Woman of the mystery of the film is called Elise. Beautiful, enigmatic, elusive. Interpol's heels and she has to, in order to divert the tracks, he decided to involve the visitor in his flight also Frank, a mathematician from Wisconsin Tennessee. From Paris to Venice with romantic background, but the twist is lurking ...

to want to be naughty you could say that "The Tourist" seems out of a book collection of Harmony. There are two wonderful actors as unlikely, the fateful meeting, the Russian mafia, pursuits, and stolen kisses ... The heart sighs maybe a bit 'by reading the pages of a book, but all the movies you caricaturist and much, but very tiring. Certainly not enough two superstars (wasted) to make plausible a film that limps from the very first page, sorry scene.

To make matters worse, in addition, we also make the Italian actors, as usual, relegated to roles of extras as seen in other recent films as well as "The American . Nino Frassica, Raul Bova, Cristian De Sica, are just some of the names that populate the film with our own results varied greatly.

short, if you want to see the two superstars together and in action, come forward. It must be remembered, however, continue to dream that at times save from bitter disappointments ...

Diego Altobelli (12/2010)

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The Chronicles of Narnia - The Voyage of the Sailboat

Year: 2010

Director: Michael Apted

Distribution: 20th Century Fox

We return to Narnia to sail. And yes, because at the third attempt, after a first episode fascinating but tiring, and a second weak and insignificant, "The Chronicles of Narnia" by CS Lewis are finally really exciting.

Lucy and Edmond, now teenagers, are odious cousin Eustace in the company when the painting of a ship at sea, magically transports them to the Kingdom of Narnia. The three find themselves on an adventure Prince Caspian the edge of the world that will bring them closer one step at maturity ...

Michael Apted, the director of action as "007 - The World Is Not Enough" and "Extreme Measures - Extreme Measures," directed with a very aggressive hand this third episode of Chronicles of Narnia. The result is one of those that dazzle. Never as in this case the world of Narnia spark of magic and spells, and there are few times when the viewer discovers a gaping mouth in front of many wonders. Furthermore, although the impression remains that Disney wants to (also rightly) the fantasy created by Lewis back in the fifties more addressed to a young public, the legacy that goes behind the director ends to shape "The journey of the Dawn Treader" making it a visual feast for everyone.

also good performers. Ben Barnes, Prince Caspian, also want the beard looks more mature and convincing in the film. The two actors Georgie Henley and Skandar Keynes have however, finally, the space to emerge. And they do it with great conviction, standing on the other.

If you want to dream under the parties, in short, "The Chronicles of Narnia - The Voyage of the Sailing Ship" offers a good opportunity to do so. Do not think about it and climb aboard.

Diego Altobelli (12/2010)

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The two presidents

Year: 2010

Director: Richard Loncraine

Distribution: Medusa

Evidently there is a reason why the films that focus on political figures last on average two and half hours each. It is explained inadvertently director Richard Loncraine, who sees awarded the burden of concluding the trilogy on the great British Prime Minister Tony Blair created by Peter Morgan. After "The Deal" and "The Queen", both directed by Stephen Frears, comes this "The two presidents."

The history of special relationship has been established between President Clinton and Tony Blair, both center-left. From the Lewinsky scandal, NATO intervention in Kosovo ...

As with the previous two films, in this case the final product is more like television. What remains at the end of the film is the feeling of having gone too fast. To have heard a story, but amputated several episodes. The problem then is actually the lack of a balanced breathing narrative that is expected of a plot that aims to cover about ten years of our recent history. Loncraine's film (half an hour and poor) trying to work around this problem by including scenes of married life that, as pleasant and nice, not anything to do with the description of the strong friendship that was between the two characters described. Moreover, one must say that both Clinton and Blair do not come out just fine from this representation, it is to be doubted whether this was a desired effect.

Well, good then only the two protagonists. Dennis Quaid is perhaps a bit 'too cartoonish, but it passes the test with the trade. Michael Sheen instead confirms its incredible interpretive skills.

Diego Altobelli (12/2010)

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The Poughkeepsie Tapes

Year: 2007

Director: John Erick Dowdle

Here's an example of the mockumentary. Indeed, this is perhaps the best example so far produced. It's called "The Poughkeepsie Tapes" and is directed by the director who later became famous for a remake (a bit pointless) to "Rec", "Quarantine". John Erick Dowdle stages the fake (it is worth remembering often ...) report on the FBI's so-called "Butcher of Poughkeepsie, a small town north of New York.

A team of staff members, after years of research, they can finally reach the house of the mad murderer of dozens of people including men, women and children, but instead of the person find an archive of hundreds of boxes where psychopath has resumed its victims while they were being tortured. You have no idea what to expect ...

Several things to say. First is a great example of a mockumentary because it embodies all the features. There is a documentary tone, of course, including interviews with the protagonists of the story, there is the discovery of hot material, often a tape (in this case is to be read in the plural) is the mythical aspect of the story, where the monster becomes a figure which seem abstract and elusive, relentless and terrible, and finally there is a direct confrontation with the audience sitting in the room, assisting unarmed and unprepared for the horror. On quest'ulitimo point is to be praised "The Pughkeepsie tapes, also, why can with surgical precision to satisfy the expectations, never wavering or dragging their feet. Specimen about the story of victim number one, a girl named Cheryl who ends up embodying the greatest nightmare of all: the catharsis with the monster, obvious metaphor of the sort.

addition, the film by John Erick Dowdle, not splatter films. The director chooses not to dwell on the "torture-porn" of history, but to play, so to speak, afraid to be more basic. There were screams, there are massacres, there are children beaten to death, including rapes of corpses, but the movie brings you to imagine, that to see it. And 'this, in its way, is a striking result as it is disturbing.

And again. It could pull in the middle of the "V for Vendetta "by Alan Moore, because the relationship between victim and perpetrator is very similar, complete with masks, to that represented by the comic first and then the film, directed by the Wachowski brothers. You could highlight the care with which the story is described. One could cite other films like "The Silence of the Lambs" or "Psycho." It could finally be stressed that the morbidity to win, which binds to the viewer what they are watching. And the inability to do without it. It's scary, expect as a result.

Diego Altobelli (12/2010)

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Last exorcism - The Last Exorcism

Year: 2010

Director: Daniel Stamm

Distribution: Eagle Pictures

The mockumentary, as in the genre, have the undoubted advantage of cash and very little cost. And if just cashing in theaters at the end of home videos and company are part of the expense.

Reverend Marcus Cotton was a preacher who has lost his faith, especially due to the fact that he had seen many, many cases of possession but turned out to be false. When called for yet another girl in Louisiana who is believed to be possessed by the devil, Marcus puts on a film crew and decides to prove that the so-called devil does not exist. Only suggestion, he said. Maybe, but the girl is able to climb on the walls ...

it comes to marketing, at the beginning of the review, because, unfortunately, to say there is little else sull'ennesima production sly. The mockumentary should gradually become more interesting with the vision. When we speak of "The Blair Witch Project", for example, there is the growing tension, the frightening environment, the final effect. In "Lake Mungo " to make another one, this is called sudden twists in the tale, the plot well constructed, with interesting background. And even in the most technical film, but who have used the same trick as narrative " Rec " one is impressed by the effectiveness of the surrender. In the film Daniel Stamm, however, we not only have a rather predictable plot, but also a bad staging. Are not spared the classic errors of form, therefore, as shots blurred, shaky footage, twilight nearly ubiquitous, so as to make a vision already heavy, even more exhausting.

But what Daniel Stamm ago, is making a mistake ahead of the film. That is the basic idea. In "The Last Exorcism" is not about a documentary made by a priest on a real possession true, it would be interesting to see. It is said instead of a fake documentary about a reverend false is a fake exorcism on a girl possessed. And considering all this we discover in the first ten minutes of film, the question is, why continue to stay in front of the screen?

There would have to say one last thing, which covers the surprise ending with the possibility of a sequel. But we avoid because this is not cinema, it's just marketing.

Diego Altobelli (11/2010)

Can Implantation Bleeding Be Heavy

the dictator of Bung Bung - BOLOGNA, 10 December, 2010 LOMBARDY

Italy of Values \u200b\u200borganizes

"the dictator of Bung Bung, he goes .. Rest! "

evening of information and entertainment

BOLOGNA - PALADOZA

FRIDAY December 10, 2010 - 20.30

free entry!

Speakers: David

PARENZO

Antonio DI PIETRO

Marco Travaglio

Sergio RIZZO

Gioacchino Genchi

Bruno Tinti

Antonio Ingroia

Andrea Mingardi

Antonio Cornacchione

Vauro Senesi

Dario FOR

We organize free buses leaving from various locations in Lombardia.

For more info: www.italiadeivalori.it

North Face Denali Petiti Jackets

I had also envisaged the possibility that at the end of November, no service in support of homeless of Olbia, would be operational; nor Our Mobile Service Units, or the "Dormitory" government and Caritas, but predict it and now live, there is a sad difference.

Now you feel the cold, humidity, weather is starting!

"With this bad weather back home with the desire to eat something hot and go to bed, the warmth.
That's nice to have a house and your bed waiting for you every night! "

Here this is the difference, feel helpless at this time due to lack of means, which allow money to buy a van, rent a room, and so begin at least the night duty: to give some blankets or a good clothing to those in need, host a dinner for some time that they do not ... after some return to their places of refuge, a car, a dilapidated house or apartment is crowded, but at least with a full stomach.

Saturday, December 4 at 16h. at the headquarters of the Laboratory for the Intercultural Integrazine, in the Sassari Brigade, 18, we'll have a meeting with members, volunteers, friends .. a meeting open to all those who want to lend a hand to give effect to this activity.
From now invite those interested to make contact to confirm.
Ginetto

Cell.3284466958

e-mail infoale2010@libero.it