Year: 2010 Director: David Fincher
Distribution: Sony Pictures
Rather unexpectedly with David Fincher said, "The Social Network" a history of extreme solitude.
In 2004, Mark Zuckerberg has the insight to invent a web page in which to compare and vote the most beautiful girls of Harvard. Within a few hours, the site has so many hits to be sent to tilt the entire system of connecting the university and Mark became famous. The young man decides to develop that idea, expand, evolve and transform it into Facebook, the most popular website in the world. The legal battles over the paternity of the idea will not fail ...
The wonderful David Fincher's film is a kind of "tribunal film starring the young billionaires in their twenties and agguerritissimi. Between flashbacks and legal fights with the knife between the teeth, the film was made "extremely fluid" and without hindrance showing the rise of future billionaire Zuckerberg. And indeed, in this respect is also the strength of the film: to be able to outline the ambiguity of the protagonist. A nerd, a true misfit, an anti-social that has radically changed the concept of "friendship" by creating something that make it easy to value, making it accessible (and perhaps especially) to those like him. E 'the desire for revenge to move your character. E 'anger in no uncertain terms, to motivate them. These feelings lead him to the bang groped at the expense of friends (a few) and acquaintances (many).
We do not know if the actor which gives the face a Zuckerberg, Jesse Eisemberg, expressionless looks like by choice or inability. Anyway its characterization is convincing. Bravo also Justin Timberlake in the role of the father of Napster, a real gem.
"The Social Network" is a film built on several levels, and this is certainly his strong point. Made of several layers of significant value that amplify and complicate the reading, even film, the work of David Fincher's analysis appears to be more detached and deeply human "facebook" that object. Is not judgmental at all, but clearly suggests the trouble trying to see him alone in front of the desk.
Diego Altobelli (11/2010)
In 2004, Mark Zuckerberg has the insight to invent a web page in which to compare and vote the most beautiful girls of Harvard. Within a few hours, the site has so many hits to be sent to tilt the entire system of connecting the university and Mark became famous. The young man decides to develop that idea, expand, evolve and transform it into Facebook, the most popular website in the world. The legal battles over the paternity of the idea will not fail ...
The wonderful David Fincher's film is a kind of "tribunal film starring the young billionaires in their twenties and agguerritissimi. Between flashbacks and legal fights with the knife between the teeth, the film was made "extremely fluid" and without hindrance showing the rise of future billionaire Zuckerberg. And indeed, in this respect is also the strength of the film: to be able to outline the ambiguity of the protagonist. A nerd, a true misfit, an anti-social that has radically changed the concept of "friendship" by creating something that make it easy to value, making it accessible (and perhaps especially) to those like him. E 'the desire for revenge to move your character. E 'anger in no uncertain terms, to motivate them. These feelings lead him to the bang groped at the expense of friends (a few) and acquaintances (many). We do not know if the actor which gives the face a Zuckerberg, Jesse Eisemberg, expressionless looks like by choice or inability. Anyway its characterization is convincing. Bravo also Justin Timberlake in the role of the father of Napster, a real gem.
"The Social Network" is a film built on several levels, and this is certainly his strong point. Made of several layers of significant value that amplify and complicate the reading, even film, the work of David Fincher's analysis appears to be more detached and deeply human "facebook" that object. Is not judgmental at all, but clearly suggests the trouble trying to see him alone in front of the desk. Diego Altobelli (11/2010)
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