Year: 2011 Directed by: Giulio Manfredonia
Distribution: Distribution o1
has the merit of being an instant movie that "any" directed by Giulio Manfredonia and starring the South's political Cetto The matter, played by Antonio Albanian. The De Santis
political "threat" Calabria with the weapon of the law. Unheard of, especially if your name is La Cetto Whatever your curriculum and can boast a long period of hiding in South America. Just got back in his homeland, Cetto wants to bring his country on the right path of organized crime. To do so, De Santis will compete for the office of mayor ...
A little 'step back Antonio Albanian playing well that we had used sophisticated comedies (" Days and Clouds" and "Matters of the Heart"), and now they want return to a speck of his characters, Cetto, already appeared in comic strips television. And if one part is undeniable that it is useful, in a time like this for Italian politics, play down the hardships of a politician with only one thought in mind, the other Manfredonia's film fails to go beyond the mere sketch . In the end, then, has the feeling of having lost a good opportunity to say something new and clever about events that affect our (no longer) young Italy. Tap
put up yet another film that idles instead. And Antonio Albanian was reasonable to expect something more.
political "threat" Calabria with the weapon of the law. Unheard of, especially if your name is La Cetto Whatever your curriculum and can boast a long period of hiding in South America. Just got back in his homeland, Cetto wants to bring his country on the right path of organized crime. To do so, De Santis will compete for the office of mayor ...
A little 'step back Antonio Albanian playing well that we had used sophisticated comedies (" Days and Clouds" and "Matters of the Heart"), and now they want return to a speck of his characters, Cetto, already appeared in comic strips television. And if one part is undeniable that it is useful, in a time like this for Italian politics, play down the hardships of a politician with only one thought in mind, the other Manfredonia's film fails to go beyond the mere sketch . In the end, then, has the feeling of having lost a good opportunity to say something new and clever about events that affect our (no longer) young Italy. Tap
put up yet another film that idles instead. And Antonio Albanian was reasonable to expect something more.
Diego Altobelli (01/2011)
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