Year: 2011 Director: Todd Phillips
Distribution: Warner Bros.
Back after Todd Phillips success of "The Hangover " wacky and zany comedy that two seasons ago had done (almost) a miracle.
Architect Peter Highman is located in Atlanta on business when his wife informed him by telephone from Los Angeles on Friday will give birth to their first child. Peter, happy, want to go back immediately, but the encounter with the bizarre series of misunderstandings Ethan and force him to get off the plane. To arrive in time for the birth, then, man is forced to be accompanied by Ethan own, rather eccentric character by the way ...
It 'always good Todd Phillips, even when as in this case is a nice person, but very incisive. The director relies on the experience of Robert Downey Jr. and all'istrionismo Zach Galifianakis, but the result is variable. The odd couple might not work as it should, and the film looks more like legendary echo coupled as Matthau-Lemmon, rather than the Martin-Lewis. We expected something more, well, especially after the aforementioned "The Hangover". There, there was perhaps a carelessness that is missing in this "I'm leaving with the crowds, partly because the genre buddy-buddy, in contrasting two opposing characters in order to extract a laugh, also assumes a certain underlying melancholy. And this, or you can handle - Landis and Hughes in this sense act as a benchmark - or you end up chapter in the comic vein.
Architect Peter Highman is located in Atlanta on business when his wife informed him by telephone from Los Angeles on Friday will give birth to their first child. Peter, happy, want to go back immediately, but the encounter with the bizarre series of misunderstandings Ethan and force him to get off the plane. To arrive in time for the birth, then, man is forced to be accompanied by Ethan own, rather eccentric character by the way ...
It 'always good Todd Phillips, even when as in this case is a nice person, but very incisive. The director relies on the experience of Robert Downey Jr. and all'istrionismo Zach Galifianakis, but the result is variable. The odd couple might not work as it should, and the film looks more like legendary echo coupled as Matthau-Lemmon, rather than the Martin-Lewis. We expected something more, well, especially after the aforementioned "The Hangover". There, there was perhaps a carelessness that is missing in this "I'm leaving with the crowds, partly because the genre buddy-buddy, in contrasting two opposing characters in order to extract a laugh, also assumes a certain underlying melancholy. And this, or you can handle - Landis and Hughes in this sense act as a benchmark - or you end up chapter in the comic vein.
Diego Altobelli (01/2011)
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